Paper or canvas: how to choose.
A plain-language guide to the finishes, and which room each one is really for.
Every image we print gets colour-read against its material before it goes to press, because the material is half the picture. Here is the honest version of how to choose, without the brochure voice.
Museum paper is for framing and for daylight. Matte, 250 gsm, no glare; detail and soft colour live longest here. If the work is delicate, portraits, night scenes, anything with paper-like texture, this is the default.
Canvas adds warmth and body. No glass, so no reflections; colours sit a degree warmer. It suits larger walls, folk portraits and anything painterly, and it forgives busy rooms.
The image chooses the material. You just have to listen.
Framed editions, finally, are for when you want it done: museum paper in oak, black or walnut, hardware fitted, on the wall in five minutes. Nothing left for you to go and find.
Still unsure? The sizes & framing guide goes deeper, or ask the studio.
Pick the finish later.
Make the piece first. Paper or canvas is a question you can answer once you see it.
Create your artwork →